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Theatre of the Society for Macedonian Studies


Da – Ντα

New year, new collaborations. The National Theatre of Northern Greece presents Hugh Leonard’s Da as seen by Dimosthenis Papadopoulos, nurturing great expectations (and great support by the Greek National Tourism Organization for the new English super-titling programme) for a «child’s song full of naivety. A child’s song that hurts us», but that does not leave a mark.

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The bitter tears of Petra Von Kant

The Bitter Tears of Petra von Kant – Τα Πικρα Δακρυα της Πετρα φον Καντ

Thirty years after its first appearance on Greek stages, The Bitter Tears of Petra von Kant by Rainer Werner Fassbinder returns in the country with a double direction that struggles to breathe new life into this iconic play about gender, power and the inevitability of pain in a world based on possession.

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Prometheus Bound

Prometheus Bound

The last appointment with the 1st Meeting of Young Artists of Southeast Europe Ancient Drama and Politics, Tracing Limits and Possibilities indulges on a change of course, presenting A4M’s latest production, Prometheus Bound, a performance/installation with a body, a voice and two sounds. The audience is asked to step on the stage, and some get too burned by the limelight.

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Troas – Τρωας

The second appointment of the 1st Meeting of Young Artists of Southeast Europe “Ancient Drama and Politics”, Tracing Limits and Possibilities, welcomed on the scene of the ΕΜΣ Theatre a truly South-eastern production by Teatr Andra under the direction of Alexandra Kazazou, who took the recent yet renowned piece Troas by Dimitris Dimitriadis and filtered it through her own unconscious, …

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20170913 Oidipodas2

Oedipus Tyrannus – Οιδιπους Τυραννους

In the context of the 1st Meeting of Young Artists of Southeast Europe Ancient Drama and Politics, Tracing Limits and Possibilities, director Giorgos Kolovos gives a contemporary spin to Sopochles’ Oedipus Tyrannus, building a bridge between Thebes’ governance and today’s heads of state, asking out loud: «Does the contemporary political situation permit such leaders?». The answer seems to get lost …

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Grace Zone

The 3rd Forest Festival of the National Theatre of Northern Greece hosts for two days only a dance performance focused on existence and its ghastly enemy: us. With strength and determination, the fourteen dancers led by Katerina Antoniadou lead the audience through several earthly circle trying to describe an ideal, utopian, final Grace Zone.

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Lampedusa – Λαμπεδουζα

Athens-based Theatre of the New World boldly takes in its hands a politically charged text where two souls circumnavigate the same, dead island, looking for a speck of humanity in a paperwork ocean where dues are more important than “who”. Lampedusa, by Anders Lustgarten, washes up on Greek shores, rippling on the self-absorbed waters of Thessaloniki.

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ΝΟΣΤΟΣ (Coming Home)

Ever since Homer (and earlier still), we have been haunted by the idea of finding our way back to a forlorn place we persistently and romantically call “home”. With ΝΟΣΤΟΣ (Coming Home), Koldo Vío breaks the nostalgia-laden spell and puts in the limelight another kind of distress, in a way more violent and real: the bitterness of coming back to …

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